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Designs In Blinds - Shades For Decks - Blinds For Door Window

Designs In Blinds

designs in blinds

  • Do or plan (something) with a specific purpose or intention in mind

  • (design) plan: make or work out a plan for; devise; "They contrived to murder their boss"; "design a new sales strategy"; "plan an attack"

  • (design) plan something for a specific role or purpose or effect; "This room is not designed for work"

  • Decide upon the look and functioning of (a building, garment, or other object), typically by making a detailed drawing of it

  • (design) an arrangement scheme; "the awkward design of the keyboard made operation difficult"; "it was an excellent design for living"; "a plan for seating guests"

  • Cause (someone) to be unable to see, permanently or temporarily

  • The blinds are forced bets posted by players to the left of the dealer button in flop-style poker games. The number of blinds is usually two, but can be one or three.

  • A window blind is a type of window covering which is made with slats of fabric, wood, plastic or metal that adjust by rotating from an open position to a closed position by allowing slats to overlap. A roller blind does not have slats but comprises a single piece of material.

  • Deprive (someone) of understanding, judgment, or perception

  • Confuse or overawe someone with something difficult to understand

  • window coverings, especially vertical blinds, wood blinds, roller blinds, pleated blinds

designs in blinds - Blind Alley

Blind Alley (Eve Duncan)

Blind Alley (Eve Duncan)

The New York Times bestselling author of Firestorm, Iris Johansen, returns with a psychological thriller so terrifying, so relentlessly paced, it won’t leave you time to catch your breath before the next shock comes. A forensic sculptor is locked in a deadly duel with a serial killer determined to destroy her—one life at a time.

Eve Duncan’s job is to put a face on the faceless victims of violent crimes. Her work not only comforts their survivors—but helps catch their killers. But there is another, more personal reason that Eve Duncan is driven to do the kind of work she does—a dark nightmare from a past she can never bury. And as she works on the skull of a newly discovered victim, that past is about to return all over again.

The victim is a Jane Doe found murdered, her face erased beyond recognition. But whoever killed her wasn’t just trying to hide her identity. The plan was far more horrifying. For as the face forms under Eve’s skilled hands, she is about to get the shock of her life. The victim is someone she knows all too well. Someone who isn’t dead. Yet.

Instantly Eve’s peaceful life is shattered. The sanctuary of the lakeside cottage she shares with Atlanta detective Joe Quinn and their adopted daughter Jane has been invaded by a killer who’s sent the grimmest of threats: the face of his next victim. To stop him, Eve must put her own life in the balance and question everything and everyone she trusts. Not even Quinn can go where Eve must go this time.

As the trail of faceless bodies leads to a chilling revelation, Eve finds herself trying to catch a master murderer whose grisly work is a testament to a mind warped by perversion and revenge. Now she must pit her skills against his in a showdown where the stakes are life itself—and where the unbearable cost of failure will make Eve’s own murder seem like a mercy killing.

From the Hardcover edition.

86% (11)

Blinding Track 12

Blinding Track 12

Designed inspired by Track #12 from Florence + the Machine’s album “Lungs.” This image is a vintage embroidery design modified by me. I am not sure of the date, probably the 1930s.

The song lyrics have to do with entrapment and release, but also dreaming. With a nod towards the flame haired singer Florence Welch, the creator and singer for Florence + the Machine the girl in my piece has ginger colored hair.

This piece is from a series of fourteen hand embroidered pieces modified and stitched by Mark Bieraugel based on the album “Lungs” by Florence + the Machine.

Planetarium show for blind people / Show de planetario para ciegos

Planetarium show for blind people / Show de planetario para ciegos

Prototype half-sphere. To better follow the audio, blind people were given a half-sphere where they could touch the different constellations and objects described in the show. Mariana Lanzara was responsible for the half-sphere design.

Semiesfera prototipo. Para seguir mejor el audio, a los ciegos se les entrego una semiesfera donde podian tocar las diferentes constelaciones y objetos descritos en el show. Mariana Lanzara se encargo del diseno de la semiesfera.

designs in blinds

designs in blinds

Blind Memory: Visual Representations of Slavery in England and America, 1780-1865

A study of Atlantic slavery generated by the visual arts. It considers in detail four "sites" which have generated particularly influential imagery: the middle passage; flight/escape; slave torture/punishment; and the popular imagery which evolved around Stowe's classic abolition text, "Uncle Tom's Cabin". Abolition exploded in the 1780s as an international propaganda movement. From then on until the end of the Civil War the slavery debate generated a deluge of materials. Every conceivable visual resource was drawn upon, including paintings, sculptures, prints, textiles, maps, ceramics, jewellery, needlework, "tableaux vivantes", and theatrical performance. Different forms require different ways of reading and this text is, of necessity, theoretically experimental and essentially interdisciplinary. Developments in trauma theory, Holocaust studies, Diaspora studies, even cartography, are drawn upon. The book thinks about how the West has remembered slavery through its visual art, but beyond this it demands that we reconsider how slavery is culturally constructed in the West now. The study consequently ends by asking what institutions, rituals, narratives and images we have decided are the "right" way of remembering slavery.

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